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Chen An 陳安 (active early 15th c.), 12 columns in standard script, undated; 4 seals: The three generations of the Zhao family painted the Grooms and Horses, Each brush stroke of which is worth a thousand pieces of gold now. A descendant of the dragon-horse from the Wowa Lake [in Gansu], it has manes like dark jade.

Facing the menial standing by, Its four snowy hoofs chill like the frigid sky.

Zou Hui 鄒誨 (active early 15th c.), 10 columns in semi-cursive script, undated; 3 seals: Don’t you see, Sir, Zhao Mengfu of Wuxing is unique in the fields of art and literature.

In the past he painted the horse with his mind, Which, with bristly manes on a curved body, seems about to run wild.

I thus had the chance to appreciate the beauty of the former dynasty’s writings and the elegance of its artistic transmission, which is rare from past to present. [Seals]: Haiwu Daoren, Zichi yinzhang, Shentong shijia清江王均希和所藏松雪齋三世 《人馬圖》,暇日持以示余,余獲拜觀先朝文獻之懿,繼述之雅,亙古今而希有也。《楚書》 曰“楚國無以為寶,惟善以為寶。”希和寶此以傳家,其亦善人也。三肅以還,珍重珍重。永樂三年青龍在乙酉三月廿日前進士胡誠拜書。[印]:海屋道人、子持印章、神童世家2.

The Book of Chu says: “The state of Chu has no treasure; it only has virtue as its treasure.” Xiho cherishes this scroll as a family treasure; he is a man of virtue too. Shen Danian 沈大年 (active early 15th c.), 19 columns in semi-cursive script, dated 1403; 2 seals: Master Zhao of Wuxing was respected in the former dynasty for his literary and political accomplishments.

Although I am not personally acquainted with Boli, since I admire his lofty spirit, I painted this with profound emotion and give it to Jieshi to forward to him. New York: The Metropolitan Museum of Art, 1984, pp.

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Han Jieshi came to me bringing with him a painting of a man and a horse by my late father, the Minister. Later, at his request my father also executed a painting on the following part of the scroll and now he makes the request of me. May I venture to ask, is it not that he covetously desires works handed down by all three generations of my family? The Chinese term "compass-square" (guiju) means "regulation" or "order." Thus, the painting may also be read as a metaphor for good government and, by extension, a measure of the artist's moral rectitude. Inscription: Artists’ inscriptions and signatures Zhao Mengfu 趙孟頫, 2 columns in standard script, dated 1296: On the tenth of the first lunar month in the second year of the Yuanzhen reign era [February 11, 1296] I painted this Groom and Horse for Surveillance Commissioner Feiqing’s pure enjoyment. Collection of Chinese Calligraphy and Painting.” Orientations16 (1985), no.

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